著書論文等- 市川 真理子 -
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件数:50件
[2017]
1.[] Were Property Booths Used in the First Performance of Jonson's Bartholomew Fair?.[Theatre Notebook: A Journal of the History and Technique of the British Theatre,71,(2017),72-93]Mariko Ichikawa
[2016]
2.[] Stage Directions and the Stage Space.[The Cambridge Guide to the Worlds of Shakespeare, 2 vols (Cambridge University Press),I,(2016),128-134]Mariko Ichikawa
3.[] “What story is that painted vpon the cloth?”: Some Descriptions of Hangings and their Use on the Early Modern Stage.[Theatre Notebook: A Journal of the History and Technique of the British Theatre,70,(2016),2-31]Mariko Ichikawa
[2014]
4.[] “The stage is hung with blacke”: On the Use of Black Curtains for Tragedies in the Early Modern Period.[Theatre Notebook: A Journal of the History and Technique of the British Theatre,68,(2014),153-188]Mariko Ichikawa
5.[] Continuities and Innovations in Staging.[Moving Shakespeare Indoors (Cambridge University Press),(2014),79-94]Mariko Ichikawa
[2013]
6.[] The Shakespearean Stage Space.[Cambridge University Press,(2013)]Mariko Ichikawa
7.[] Shylock and the Use of Stage Doors.[Theatre Notebook: A Journal of the History and Technique of the British Theatre,67,(2013),126-140]Mariko Ichikawa
[2012]
8.[] シェイクスピア劇の台詞.[シェイクスピアと演劇文化 (研究社),(2012)]市川真理子
[2011]
9.[] A Special Meaning of "Within"?.[Shakespeare Closely Read (Fairleigh Dickinson University Press),(2011),9-17]Mariko Ichikawa
[2009]
10.[] "Enter Brutus in his Orchard": Garden Scenes in Early Modern English Plays.[Shakespearean International Yearbook (Ashgate),9,(2009),214-247]Mariko Ichikawa
[2007]
11.[] The Staging of "The Comedy of Errors", Act 3, Scene 1.[Journal of the Graduate School of International Cultural Studies (Tohoku University),(8),(2007),81-97]Mariko Ichikawa
[2006]
12.[] Were the Doors Open or Closed?: The Use of Stage Doors in the Shakespearean Theatre.[Theatre Notebook: A Journal of the History and Technique of the British Theatre,60(1),(2006),5-29]Mariko Ichikawa
[2005]
13.[] "Music Within" and "Music Above".[Shakespearean International Yearbook (Ashgate),5,(2005),314-335]Mariko Ichikawa
14.[] "Maluolio within": Acting on the Threshold between Onstage and Offstage Spaces.[Medieval and Renaissance Drama in England (University of Delaware Press),18,(2005),123-145]Mariko Ichikawa
[2004]
15.[] What to do with a Corpse?: Physical Reality and the Fictional World.[Theatre Research International (Cambridge University Press),29(3),(2004),201-215]Mariko Ichikawa
[2003]
16.[] Standing Aloof on the Shakespearean Stage.[Shakespearen International Yearbook (Ashgate),3,(2003),209-227]Mariko Ichikawa
[2002]
17.[] Shakespearean Entrances.[Palgrave Macmillan,(2002)]Mariko Ichikawa
18.[] "Enter" と "Exit"/"Exeunt" の意味を求め続けて.[Shakespeare Society of Japan Shakespeare News,41(3), (2002), 28-30]市川真理子
[2001]
19.[] Entry and Exit Stage Directions in Elizabethan Play-texts.[Language and Culture (Tohoku University),16,(2001),25-42]Mariko Ichikawa
[2000]
20.[] Shakespeane の劇場における「登場」と「退場」 ー 舞台周縁部分の使い方について ー.[英文学研究 (日本英文学会),77,(2000),1-13]市川真理子
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