Books, Original Papers & Review Papers- ICHIKAWA Mariko -
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[B]:Books [O]:Original Papers [R]:Review Papers
total:50
[2017]
1.[O] Were Property Booths Used in the First Performance of Jonson's Bartholomew Fair?.[Theatre Notebook: A Journal of the History and Technique of the British Theatre,71,(2017),72-93]Mariko Ichikawa
[2016]
2.[O] Stage Directions and the Stage Space.[The Cambridge Guide to the Worlds of Shakespeare, 2 vols (Cambridge University Press),I,(2016),128-134]Mariko Ichikawa
3.[O] “What story is that painted vpon the cloth?”: Some Descriptions of Hangings and their Use on the Early Modern Stage.[Theatre Notebook: A Journal of the History and Technique of the British Theatre,70,(2016),2-31]Mariko Ichikawa
[2014]
4.[O] “The stage is hung with blacke”: On the Use of Black Curtains for Tragedies in the Early Modern Period.[Theatre Notebook: A Journal of the History and Technique of the British Theatre,68,(2014),153-188]Mariko Ichikawa
5.[O] Continuities and Innovations in Staging.[Moving Shakespeare Indoors (Cambridge University Press),(2014),79-94]Mariko Ichikawa
[2013]
6.[B] The Shakespearean Stage Space.[Cambridge University Press,(2013)]Mariko Ichikawa
7.[O] Shylock and the Use of Stage Doors.[Theatre Notebook: A Journal of the History and Technique of the British Theatre,67,(2013),126-140]Mariko Ichikawa
[2012]
8.[O] Shakespearean Speeches.[Shakespeare and Theatre Culture (Tokyo: Kenkyusha),(2012)]Mariko Ichikawa
[2011]
9.[O] A Special Meaning of "Within"?.[Shakespeare Closely Read (Fairleigh Dickinson University Press),(2011),9-17]Mariko Ichikawa
[2009]
10.[O] "Enter Brutus in his Orchard" Garden Scenes in Early Modern English Plays.[Shakespearean International Yearbook (Ashgate),9,(2009),214-247]Mariko Ichikawa
[2007]
11.[O] The Staging of "The Comedy of Errors", Act 3, Scene 1.[Journal of the Graduate School of International Cultural Studies (Tohoku University),(8),(2007),81-97]Mariko Ichikawa
[2006]
12.[O] Were the Doors Open or Closed?: The Use of Stage Doors in the Shakespearean Theatre.[Theatre Notebook: A Journal of the History and Technique of the British Theatre,60(1),(2006),5-29]Mariko Ichikawa
[2005]
13.[O] "Music Within" and "Music Above".[Shakespearean International Yearbook (Ashgate),5,(2005),314-335]Mariko Ichikawa
14.[O] "Maluolio within": Acting on the Threshold between Onstage and Offstage Spaces.[Medieval and Renaissance Drama in England (University of Delaware Press),18,(2005),123-145]Mariko Ichikawa
[2004]
15.[O] What to do with a Corpse?: Physical Reality and the Fictional World.[Theatre Research International (Cambridge University Press),29(3),(2004),201-215]Mariko Ichikawa
[2003]
16.[O] Standing Aloof on the Shakespearean Stage.[Shakespearean International Yearbook (Ashgate),3,(2003),209-227]Mariko Ichikawa
[2002]
17.[B] Shakespearean Entrances.[Palgrave Macmillan,(2002)]Mariko Ichikawa
18.[R] In Quest of the Meanings of "Ente"' and "Exit"/"Exeunt".[Shakespeare Society of Japan Shakespeare News,41(3), (2002), 28-30]Mariko Ichikawa
[2001]
19.[O] Entry and Exit Stage Directions in Elizabethan Play-texts.[Language and Culture (Tohoku University),16,(2001),25-42]Mariko Ichikawa
[2000]
20.[O] Entrances and Exits on the Shakespearean Stage: Shakespearean Use of Stage Space.[Studies in English Literature (English Literary Society of Japan),77,(2000),1-13]Mariko Ichikawa
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